As Weapons sorts through the town's messy history, Cregger balances the "something awful" with that sullen impression of Pulse. He carefully chooses when to bring in an effective jump scare and an instant of gory delight, and when to strike an unsettling fear into his audience through hushed, sinister pieces.

One of this year's best films is an intelligent study on youth not in revolt—but pawns subject to ancient forces. Oh, and it's scary as hell.